Thursday, April 13, 2017

Carpe Diem Haiku Kai Academy #4 Renga, "the mother of haiku"


Dear Haijin, visitors and travelers,

Welcome at a new episode of our CDHK Academy, today I have a nice lecture for you about the Renga, the chained poem, the "mother of renga".


This Carpe Diem Lecture is about renga the 'mother of haiku' so to say. Haiku has originated from the Renga. Renga was (is) a chain of poems in which several poets took part. The most haiku by Basho for example are written for Renga. That could be the 'hokku' or the starting verse or as one of the links of the chain.
There are several different forms of Renga and in this lecture I will tell you more about the so called 'Tan Renga', but that's later on. Let us first look at the original renga. The original renga could have 100 linked verses. But there was a strong form, called kasen renga that had 36 links. For this kasen renga there were a few rules. In a kasen renga there had to be a reference to flowers twice (mostly Cherry Blossom) and three times to the moon. These references are called: hana no za 'the seat of flowers' and tsuku no za 'the seat of the moon'. The first stanza was called 'hokku' and the final stanza was called 'ageku' and had to refer to the first stanza to 'close' the chain of poems.
Credits: Renga Session
How to write renga?
As a renga is collaborative poetry, it is important that there be enough people to participate. Although solo renga have always been and continue to be written, three to four is considered the minimum number for a renga group, called an ichiza, and upward of fourteen to fifteen may be possible under an experienced sōshō  ( "renga master"). For online renga collaborations, the sōshō would be the one to select a verse from among those posted or sent.
The essence of renga is in the idea of "change" (henka?). Bashō described this as "newness"  (atarashimi), and as "refraining from stepping back". The fun is in the change, the new, the different, and the interesting verses of others.
In Japan a renga starts with a hokku of 5-7-5 sound units by one of the guests - usually the most honored or experienced. This is followed by the second verse of 7-7 sound units, called the waki ("side"), and then by the third verse of 5-7-5 sound units, called the daisan ("the third"). The next verse will be 7-7 sound units, and this pattern is repeated until the desired length is achieved. It is common in English to use forms that show the number of the verse, how long it is to be, whether the moon or flowers should be mentioned, when one author takes two links at once. Since the renga of different lengths have different schemes for how many verses are given to each season and non-seasonal verses, it is easiest to use one of the available forms so that everyone understands and follows the same program.
The kasen renga, favored by Bashō because it was easier to complete 36 verses in one night than the normal 100-link renga, has three sections of development. The beginning, called the jo should reflect the atmosphere of the beginning of a social evening - everyone is very polite, restrained, cautious and referring to the reason for the gathering. The middle part of the kasen renga (verses 7 - 29) are more loose, and will include themes not allowed in the beginning and end such as love, religion, and laments. This reflects the conversation flow during dinner when the wine has been consumed and the participants are feeling free and friendly. The kyu is the rapid finish and involves the last six verses. The speed in this section is much like the broken conversation of people as they prepare to leave the party and people are quickly winding up their conversations. This pattern of pacing the poem is taken from the classical music. The ageku is the final verse. It is considered fine if the final verse makes some reference or has a tie to the hokku or beginning verse. Renga are often hard for Westerners to read and understand (and therefore to write) because there is no narrative or chronological order. Even the links that are written are not to be impressive or informative. The whole object of renga is to show what happens between the links. A renga and its participants are judged on how well each link relates to the previous one. There is a whole study of the various techniques and methods of linkage. The most common one used by beginning English writers is simple stream of consciousness. The previous verse reminds the writer of something else and then adds that image to the poem. The book by Earl Miner and Hiroko Odagiri, a translation of The Monkey’s Straw Raincoat Princeton, NJ: Princeton University Press, 1981 is the best book to study these subtle changes in this famous work done by Bashō and his students. It is recommended to take turns (hizaokuri?) for a small ichiza so that everyone participates equally. For larger ichiza, the dashigachi ("the outgoing one wins") rule is recommended so the best verse would be selected. The renga master, or person with the most experience with renga, guides the participants, making sure the seasons and themes are correct and will be responsible for the correction of errors.
Renga -- the chained poem
As I said earlier in this lecture I will look at the Tan Renga, it's a two stanza renga and looks similar with the Tanka. A Tan Renga is always written by two poets, but can also be written by a soloist.
Writing Tan Renga is fun and it learns you to associate on the verse of another haiku poet or on a haiku by yourself.

An example:
The first stanza of this Tan Renga:
early sunrise
pink cloud fingers sprouting
at the horizon
To write the second stanza of this Tan Renga you have to associate on the first stanza. You can associate on e.g. sunrise, pink, cloud, fingers, sprouting and horizon. The first stanza is built like a haiku 5-7-5 and the second stanza has to count 7-7 syllables.
OK let's give it a try ...

For example I will associate on sprouting.
blooming cherry blossoms
finally winter has gone
Let's place the both stanza together as one:
early sunrise
pink cloud fingers sprouting
at the horizon

blooming cherry blossoms
finally winter has gone

It's a beauty don't you think?
Another one, now associated on horizon:
on the thin line of the earth
the air shimmers above the sea
Let's place the both stanza together as one:

early sunrise
pink cloud fingers sprouting
at the horizon

on the thin line of the earth
the air shimmers above the sea
Well ... what do you think? Tan Renga is fun and maybe you will write a Tan Renga yourself. Be my guest and share your Tan Renga with us. I will enclose a linking widget that will stay on 'till end of April 2017
Be creative, be inspired and share your Tan Renga ....

Wednesday, April 12, 2017

Carpe Diem Haiku Kai Academy #3 The Troiku, a new kind of haiku-ing



Dear Haijin, visitors and travelers,

Recently I started this new "branch" of the Carpe Diem Haiku Kai Family and I love how this new "branch" already find its way to the visitors. Here at the CDHK Academy I will gather the educational posts which I published earlier on Carpe Diem Haiku Kai, a daily haiku meme.

This new post is about Troiku, its a new way of creating haiku and I (Chèvrefeuille) have created / invented it myself. So here is more about Troiku.


TROIKU, a new form of haiku

I love to introduce to you a new haiku form invented / created by your host Chèvrefeuille, the Troiku and I think it's fun, but not an easy form. First I have to tell you something about the source of the name Troiku.

It goes back to 17th century Russia.
A troika (meaning: triplet or trio, as shown above) is a traditional Russian harness driving combination, using three horses abreast, usually pulling a sleigh. It differs from most other three horse combinations in that the horses are harnessed abreast. The middle horse is usually harnessed in a horse collar and shaft bow; the side horses are usually in breast collar harness. The troika is traditionally driven so that the middle horse trots and the side horses canter; the right hand horse will be on the right lead and the left hand horse on the left lead.
The troika was developed in Russia during the 17th century and could reach on full-speed 45-50 kilometers per hour, which was at that time a very high speed on land for vehicles.
OK ... up to the Troiku. Compared with the troika, haiku counts three lines and the troika was driven by three horses. A troika was (mostly) a sleigh and that ... my dear haijin, visitors and travelers is what a troika made a troika.

In the Troiku, the sleigh is the base haiku from which we will start.
E.g. the 'sleigh' of our Troiku is a haiku written by a classical (or modern) haiku poet.
For the introduction of the Troiku I have chosen a haiku by Basho. A very well-known one written by him ... namely 'frog pond'.
furu ike ya   kawazu tobikomu   mizo no oto
old pond
frog jumps in
sound of water


In this Troiku form it's the intention to write three new haiku (the horses of the troika) starting with the separated lines of the 'sleigh'.

In this example you have to write a new haiku with 'old pond', 'frog jumps in' and 'sound of water'. Let's give it a try heh ...

The 'sleigh':
old pond
frog jumps in
sound of water



The horses:
Horse one:


old pond -
the scent of the Lotus
overwhelms me

Horse two:
frog jumps in
the sound of rain far away
thunder and lightning

Horse three:
sound of water
dripping from the gutter
after the hurricane

Nice way of writing haiku isn't it. I love it. I hope you, my dear haijin, do like this new Troiku too. Let's do another one. This time I will use a haiku written by myself. This haiku I published on Carpe Diem on November 5th, 2012.

The Sleigh:

all day sunrise
what a joy to live in
my orange house



The horses:
Horse  one:

all day sunrise
Mother Nature is confused
the longest day

Horse two:
what a joy to live in
a world full of fantasy
patches of clouds



Horse three:
my orange house
save harbor for my children
till when will it last?



© Chèvrefeuille
It's really a nice way to be creative with that wonderful ancient / classical Japanese poetry form, haiku. A real challenge too I think. Of course in this form you cannot follow the classical rules, because it's more a "free-style" way of haiku crafting.

Namasté

Chèvrefeuille

Carpe Diem Haiku Kai Academy #2 What is haiku?



Dear Haijin, visitors and travelers,

At Carpe Diem Haiku Kai I published several lectures on haiku and renga, here is one of those lectures.

What is haiku?

Prelude:
Haiku is, what we call, the shortest poem on the world. It's an original Japanese poem. Haiku as we know it now has its roots in the Renga. A Renga was a game of poetry and it was a 'hit' at the Emperor's Court. Renga, also called Renku, Bound Verse or Linked Poem, was a 'game' in which (mainly) poets wrote long chains of poems.
Renga started with a 'hokku' (starting verse) and had also strict rules, but that's maybe something for another 'lecture'. The hokku was a three lined verse with 5-7-5 syllables (or characters) and it mostly was a verse that had a double meaning. So with the starting verse the Renga could go in two ways.
The game of Renga was to write hai ('question') and kai ('answer') in turns. Sometimes a Renga was played with big groups of poets and could end up with one hundred or more 'links'.
The intention was to associate on the verse given by the one before you and write a new 'link' to the verse.
Haiku's roots:
As you have read above the Renga started with a 'hokku'. That 'hokku' became in the 17th century haiku. However haiku got his name in the end of the 19th century. It was Shiki (1867-1902) (one of the five greatest haiku poets and - masters) who gave haiku its name.
Matsuo Basho (1644-1694), the most famous haiku poet ever
Basho (1644-1694) took the 'hokku' out of Renga and made it an independent poem. He kept the syllable count (5-7-5) and started to write 'haikai' e.g.
old pond
a frog jumps in
sound of water
This 'haikai' is the most famous haiku by Basho and he wrote it when he lived in Edo (now Tokyo). It's a masterpiece. I have once written a set of new haiku for Wonder Haiku Worlds  an International website.

Haiku rules:
Haiku has several rules, to many to speak about here, but I will give you, dear reader, the most important rules for haiku:
1.The syllable count: 5-7-5
This is the most important rule and this is what makes haiku a haiku.
2.The inspiration source: A haiku is inspired by a short moment. This short moment is as short as the sound of a pebble thrown in water. Say 'one heart beat' short. (You can say haiku is a 'aha-erlebnis').
3.The seasonword (kigo)
To place the haiku in a specific season the classical Japanese poets used 'kigo' or seasonwords. These are words that refer to a season e.g. tulips (Spring); sunbathing (Summer), colored leaves (Autumn) and snow (Winter).
4.Interchanging
This I have to explain I think. Interchanging means that the first and third sentence of the haiku are interchangeable without losing the imagery of the haiku e.g.
a lonely flower
my companion for one night -
the indigo sky
When I 'interchange' the first and third sentence:

the indigo sky -
my companion for one night
a lonely flower
Through interchanging the both sentences the image of the haiku didn't change.


5.Cutting word (kireji): The so called 'cutting word' or 'kireji' was mostly a '-' as I have used in the above given haiku and it means 'here ends the line' or 'a break in the line'. The '-' may be counted as a syllable.
6.Deeper Meaning: Every haiku (the most haiku) have a deeper meaning. This deeper meaning is mostly a Zen-Buddhistic meaning, because haiku has originated from Zen-Buddhism, but it could also be a deeper meaning based on the philosophy of the haiku poet. The deeper meaning is mostly a spiritual one.


Writing haiku is fun you can asked that at millions of haiku poets all over the world. You have to try it ... and I think that if you start to write haiku you will become an addict of it.
Well ... this was a short Carpe Diem Lecture, but I hope I was clear enough to let you see what haiku is.

For closure a haiku:
the fence looks bright
in the early hazy sunlight -
crystal cobweb



© Chèvrefeuille
Well ... I think you have learned a little bit more about haiku and maybe it inspired you to try it yourself.

Namastè,

Chévrefeuille

Carpe Diem Haiku Kai Academy #1 Tan Renga the short chained renga



Dear Haijin, visitors and travelers,


I love to introduce Tan Renga, the short chained renga, to you.

Tan Renga the short linked chain of two stanza

Maybe you know the Tanka that poem with 5 lines following the syllables count 5-7-5-7-7, A beautiful Japanese poetry form which I just started recently to create. The Tanka is a poem written by one poet and that's the difference with the Tan Renga.
The Tan Renga has also 5 lines following the same syllables count as the Tanka, but the Tan Renga is written by two poets. One poet writes the first stanza of three (3) lines in the following example that will be Jane Reichhold:
Here is the first stanza of this example Tan Renga:
morning sun
the twinkle of stars
still in the dew
                      (Jane Reichhold)
The goal for the second poet is create the second stanza of two (2) lines through association on the first stanza (as we do in a renga). For this example I have written the second stanza:
her bright shining eyes
she unpacks her new doll
     (your host)
This is what you call a Tan Renga. It's possible to leave a blanc line between the two stanzas, but you can also make it unite with each other as I do mostly. Than this is the result:
morning sun
the twinkle of stars
still in the dew
                      (Jane Reichhold)
her bright shining eyes
she unpacks her new doll
     (your host)

It’s a nice way to discover the beauty of haiku. And it turns haiku writing into a nice way to work with other people.
Here you can read an E-book with Tan Renga written for Carpe Diem Haiku Kai, the daily haiku meme.
Namaste,
Chèvrefeuille

 



Welcome +++ wilkommen === bonjour



Dear Haijin, visitors and travelers,

Welcome at the Carpe Diem Haiku Kai Academy, established in April 2017. Here you will find several posts about the Japanese poetry forms e.g. haiku, tanka or sedoka. The CDHK Academy is part of the Carpe Diem Haiku Kai family founded by the Dutch haiku poet Chèvrefeuille.

Here you will find several lectures about haiku, but also a series on Haiku Writing Techniques which were earlier published on Carpe Diem Haiku Kai.

This website is UNDER CONSTRUCTION, but if possible it will be ready before the end of April 2017.

Namaste,

Chèvrefeuille

Carpe Diem Haiku Kai Academy #4 Renga, "the mother of haiku"

Dear Haijin, visitors and travelers, Welcome at a new episode of our CDHK Academy, today I have a nice lecture for you about the Renga,...

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